Review

I did not expect to enjoy Bryan Singer's latest film, X-Men. As a 20-something woman, I don't fit the profile of the typical "X-Men" comic book reader. Big screen adaptations of other comics such as Batman had left me cold. Recent releases of action films this summer such as Mission Impossible and Gone in 60 Seconds suffered from dismal performances despite all-star casts.

If X-Men can not only entertain, but also challenge, this comic/action flick skeptic, then you know it's a real good bet at the box-office.

The movie focuses on the key players in the X-Men comic series by explaining the struggle between two groups of mutants with superhuman abilities, the X-Men and the Brotherhood of Mutants. The leaders of the two groups differ regarding the ways in which mutants can stop their persecution from "regular" humans and create a harmonious world for all humans. Professor Xavier or Professor X, the leader of the mutants (Patrick Stewart), proposes education and other nonviolent measures to create peace. On a large estate in Westchester County, New York, the Professor teaches "gifted" (an alternative adjective to describe mutant) students ways in which they can use their powers to benefit humanity. At a separate headquarters X's antagonist, Eric Magnus Lehnsherr or Magneto (Ian McKellen) also prepares to protect the mutant world from the pervasive hostility in society. Magneto, however, proposes a radical gameplan that threatens the world's security.

Perhaps Singer's greatest accomplishment is the film's appeal beyond the realm of comic book enthusiasts. From the movie's get-go, Singer creates another level of analysis to this comic-book flick. Singer addresses Magneto's motivations by opening with a snapshot of a young Magneto. In this scene, a group of Nazi soldiers tries to restrain Magneto as his parents are taken away to a concentration camp. Singer's decision to open with this emotional and intense scene signals the viewer that X-Men is not just another remake.

The combination of special effects, elaborate costuming and impressive acting, however, can satisfy even the most consummate X-Men fan. From the Maitrix caliber effects to the leather pant costuming, X-Men defines cutting-edge in these elements. The 21st century mutants have more unique talents than light-speed speed. Ororo Munroe or Storm (Halle Berry) outmaneuvers her foes by creating decoys such as lightning bolts or strong winds. Scott Summers or Cyclops (James Marsden) has superhuman eyesight. Removing his wraparound glasses, however, is the kryptonite that makes him vulnerable. Just like Superman had Lois Lane, this team of good guys also has its own sexy intellectual, Dr. Jean Grey (Famke Janssen).

You won't see these fashion conscious super-humans wearing capes or spandex. For example, Mystique (Rebecca Romijin-Stamos) is the metamorph who camouflages her blue leather skin and enters the body of unsuspecting X-Men and regular humans. By taking on the physical appearances of prominent politicians and key X-Men, Mystique is able to trick her adversaries.

But there's more than skin-tight, royal blue body suits to this movie. Unlike some other of this summer's new releases, the big names in X-Men deliver solid performances. Logan, or Wolverine (Hugh Jackman) takes on a role a bit more challenging than the typical action star. Besides demonstrating his physical strength and fighting ability, he also shows compassion in his paternal -like relationship with Marie or Rogue (Anna Paquin). Glimpses of Paquin's Oscar caliber talent appear as she portrays an insecure teenager struggling for acceptance.

The biggest surprise was the relief I found at the end of the 90-minute action flick -- knowing it's all set up for the sequel.

FilmFestivals.com reporter
Colleen Shaw