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Innocence
and Le goût des autres Win Top Prize at Montreal
Australia's
Innocence and France's Le goût des autres
shared the honors of the Montreal World Film Festival's
coveted Grand Prix des Amériques at the closing ceremony on Monday
September 4. This choice by the jury presided by famed Iranian
filmmaker Abbas Kiarostami echoed popular taste, as Innocence
was also voted best film by the audience, with Le goût des
autres as a runner-up. Their Montreal triumph of the Australian
and French pics, already very popular on their home turf, suggests
that both films will travel well internationally. Aussie director
was moved by the critical and popular reaction, especially since,
as he told the audience, he has "always been accused of making
films that nobody wanted to see." This certainly has not been
the case here.
The
arrival of Chinese diva Gong Li electrified the festival's final
weekend. Faithful to the Montreal fest's popular orientation,
the heroin of so many Zhang Yimou classics gracefully gave a press
conference open to the public, and was on stage in the evening
to receive a prize honoring her impressive young career. She was
also voted best actress for Broken Silence, ex-aequo
with Isabelle Huppert for Claude Chabrol's latest Merci
pour le chocolat. Meanwhile, Yugoslav helmer Emir Kusturica,
caused a sensation by donning his musician hat and performing
with his Balkan No Smoking Band for the benefit of more than 10,000
people massed in the festival central square. Kusturica's visit,
a last minute surprise, compensated for the absence of French
star Daniel Auteuil, who had been announced to promote the Benoît
Jacquot competition entry Sade.
Iranian cinema was, once again, dominant, with Smell
of Camphor, Fragrance of Jasmine winning the equivalent
of the competition's third prize, while Daughters of the
Sun, by director Mariam Shahriar, nabbed the Prix de Montréal
for the best first film, a prize applying to all categories of
the festival. In accepting her award, Shahriar confided that she
had been deeply honored to be invited to a festival featuring
the latest work of her life inspiration-Ingmar Bergman. She was
referring to Liv Ullman's Cannes competition entry Faithless,
which screened to a packed house on Saturday. The actor-turned-director
Ullman, who is deeply attached to Montreal and its festival, flew
all the way from Sweden, over Telluride and Toronto, for a public
press conference and the evening showing. With Ullman, Li, and
Kusturica, the Montreal counter-Hollywood annual event had its
share of true world cinema stars.
Overall, the competition's quality was fine, although a
bit below the expectations created by the presence of a few big
names. Maëlstrom, by Montreal up-and-coming director
Denis Villeneuve, generated a strong buzz, and was rewarded with
an award for best artistic contribution, as well as for the most
popular Canadian film. The allegorical Combat d'amour en
songe, by Raoul Ruiz, pleased both local and international
critics, and was accordingly voted best film by the FIPRESCI.
Germany's The Policewoman, the true sleeper of the
competition, came away empty handed. The moving Sundance entry
You
Can Count on Me unexpectedly did not please local
critics, but the jury rewarded young American thesp Mark Ruffalo
as Best Actor.
Off competition, the revelations included Stand-by
(France, the runner-up for the Montreal Prize for best first film),
Pleure pas, Germaine (Belgium), To and Fro
(Mexico), Meilleur espoir féminin (France), Rosa and Cornelia
(Italy) and Sumo Bruno (Japan). On the minus side, France's two
prestige picks in competition, Sade and Merci
pour le chocolat, flopped, while Yugoslavia's The
Mechanism revolted the critics. See you next year in Montreal!
FilmFestivals.com
reporter
Dominique Arel
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2000 World Film Festival Awards
Grand Prix des Amériques
Innocence (Australia), dir. Paul Cox
Le goût des autres (France), dir. Agnès Jaoui
Jury's Grand Prize
Smell of Camphor, Fragrance of Jasmine (Iran), dir.
Bahman Farmanara
Grand Prix Spécial des Amériques
Gong Li, career achievement
Best Actress
Gong Li, The Broken Silence (China)
Isabelle Huppert, Merci pour le chocolat (France)
Best Actor
Mark Ruffalo, You
Can Count on Me (USA)
Best Director
Silvio Caiozzi, Coronation (Chili)
Best Artistic Contribution
Denis Villeneuve, Maëlstrom (Canada)
Best Screenplay
Pupi Avati, Midsummer Night Dance (Italy)
Best First Film (Montreal Prize)
Daughters of the Sun, dir. Mariam Shahriar (Iran)
Special mention to Stand by, dir. Roch Stephanik
(France)
Most Popular Film (Air Canada Prize)
Innocence, dir. Paul Cox (Australia)
Most Popular Canadian Film (Fedex Prize)
Maëlstrom, dir. Denis Villeneuve
FIPRESCI Prize
Combat d'amour en songe, dir. Raoul Ruiz (Chili-France)
Ecumenical Prize
Ai Zaoua, dir. Nabil Ayouch (Morocco-France)
Special mention to You Can Count on Me, dir. Kenneth
Lonergan (USA)
Best Short Film
Unguent for Sore Hands, dir. Cezary Jaworsky (Venezuela)
Animal, dir. Miguel Diez Lasangre (Spain)
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