| Cannes Palme d'Or |
The Son's Room by Nanni Moretti
The critics aligned with the jury crowning Moretti's film, putting
the Italian film industry back in the limelight after a complete absence
from Cannes last year. Unlike most of his past films, which unfold
through the first-person narrative of the central character, La stanza
del figlio recounts the fictional tale of a happy, middle-class family
which is torn apart when the teenage son dies suddenly in a tragic
accident.

|
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| Cannes Grand Jury
Prize |
The Piano Teacher by Michaël
Haneke
Cannes' other outstanding winner was The Piano Teacher, attributed
the Grand Jury prize, the Best Actress award to Isabelle Huppert and
the Best Actor award to Benoit Magimel. The life of a middle-aged
piano professor at Vienna Music Conservatory, who is torn between
the elegance of classical music and the raw energy of peepshows, changes
dramatically when one of her students falls in love with her.
|
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| Oscar for Best
Picture |
Gladiator by Ridley Scott
Not only Best Picture, but also Best Actor for Russel Crowe, Best
Costume, Sound and Visual Effects. The Ridley Scott film, rife with
special effects, makes two journeys: the first is a plunge into the
Roman Empire, the second into a forgotten genre of cinema.
|
 |
| Oscar for Best
Directing |
|
Traffic by Steven Soderbergh
The film also picked up Best Supporting Actor for Benicio
del Toro, Best Film Editing and Screenplay Adaptation. Steven
Soderbergh's Traffic is a gritty, fast-paced look at
the world of drug trafficking. 
Soderbergh del
Toro
|
 |
| Oscar to Best
Foreign Language Picture |
Crouching Tiger, Hidden Dragon
by Ang Lee
This Asian film that perked up the ears and eyes of Western folk was
also garnered with Best Art Direction, Cinematography and Musical
Score.
Shot in China, the mandarin-language movie features Chow Yun-Fat as
a swordsman in search of the sword he mistakenly gave away. During
his quest, he runs into swordfighters Michelle Yeoh and Chang Cheh.
|
 |
| Golden Bear
Winner |
|
Intimacy by Patrice Chereau
Patrice Chereau's English language debut may not have pleased the
Puritan culture in America -- the film was so considered so racy
at Sundance that IDs were checked at the door -- who ever heard
of IDs at a festival? But the realistic passion of Intimacy
was no problem for Berlinale crowd, where the film picked up
the Golden Bear for Best Film and a Silver Bear for Best Actress
for star Kerry Fox.
I

|

|
|
Silver Bear - Jury Grand Prize
|
|
Beijing Bicycle by Wang Xiaoshuai
Wang Xiaoshuai is one stubborn man (Check out Robin Gatto's interview
to learn more). This Chinese filmmaker had not one, not two, but
three films banned from his homeland. But he keeps on going. With
his latest work, Beijing
Bicyle, Wang has managed to please not only China, but the
Berlin jury as well. At this year's 51st Berlinale, Beijing Bicycle
earned its two main actors Cui Lin and Li Bin the Piper Heidsieck
New Talent Award to Best Young Actor.
|
|
| Silver Bear - Jury
Prize |
|
Italian for Beginners by Lone Scherfig
In its native Denmark, Italian for Beginners, the first Dogme
film by a women director, took less than six weeks to sell more
admissions than any other feature film to emerge from the now-infamous
vow of chastity. Days after it screened at the Berlinale, Harvey
Weinstein and the team from Miramax were impressed enough to pick
up the film.

|

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|
Alfred Bauer Prize for a
Film Debut
|
|
La Cienega (The Swamp) by Lucrecia Martel
The first feature by Argentine director Martel (winner of the Sundance/NHK
Screenplay Award in 1999) is set in the treacherous swamps of Argentina.
The action takes place near the town of La Ciénega; 90km away is
the village of Rey Muerto, close to the La Mandragora plantation,
named after the plant that was used as a sedative before ether and
morphine.

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| Rotterdam VRPO
Tiger Winner |
|
The Days Between by Maria Speth
One of three Tiger winners at the Rotterdam Film Festival, Maria
Speth, was born in 1967 in Titting, Bavaria. She trained as an actress
and a TV director before launching into her first feature directing
debut with The Days Between.

Actress Sabine Timoteo
|
 |
| Another VRPO Tiger
Winner |
|
25 Watts by Juan Pablo Rebella and Pablo Stoll
The first feature film by Rebella and Stoll, 25 Watts, was
a nice surprise for many reasons: it is from Uruguay, a country
that produces very few movies; its very low budget and the supreme
efforts its filmmakers had to make to turn their ideas into moving
images. The third remarkable thing is that it comes from very young
people (both are twenty-six years old) with something to say.
|
 |
| Sundance Grand
Jury Prize |
|
The Believer by Henry Bean Young
Canadian actor Ryan Gosling gives a career-launching performance
as an Orthodox Jew turned neo-Nazi in Henry Bean's thought-provoking
thriller The Believer, which won the Grand Jury Prize at
Sundance 2001. Based on a true story of a Jewish teenager who commits
acts of anti-semitic vandalism in 1960s New York, the story has
been brought into the present day New York.
Henry Bean
Ryan Gosling
|
 |
| Sundance Audience
Award/Berlin Teddy Bear |
|
Hedwig and the Angry Inch by John Cameron Mitchell
Get ready world, for rock and roll diva Hedwig and her group The
Angry Inch!! The screen adaptation of the Off-Broadway musical sensation
is a winning combination of raw nerve, drag queen glitter and the
best musical score in a film since the Golden Age of movie musicals.
John Cameron Mitchell, who originated the role of the uber-diva,
recreates his/her stage role and takes on directorial chores in
his feature film debut.
 
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