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Rotterdam
International Film Festival
January 24 - February 4
Rotterdam
is one of the best indie-spirited festivals on the circuit. But
don't take our word for it. As Adam Langer explains in The Ultimate
Film Festival Guide, "the Rotterdam festival is one of
the biggest, one of the best, and one of the most creatively programmed.
Over the course of the festival, the city becomes host not only
to a slew of world and Dutch premieres and great focus programs,
but also intriguing lectures, showings of avant garde films with
live music accompaniment, a children's film festival and related
exhibits in area museums." This year festival director Simon
Fields and his team of festival organizers created what looks to
be another innovative program with a special section on Taboos and
a tribute to Swedish filmmaker Roy Anderson.
Rotterdam
features a competition for first and second features from new filmmakers
and awards the prestigious Tiger Awards. The year 2000 winner Suzhou
River, went on to win prizes all the way through December.
The 2001 festival will feature a special section called On the Waterfront,
to complement the city's distinction as the Cultural Capital of
Europe. In addition, the upcoming festival will feature retrospectives
devoted to maverick or pioneer directors, and special tributes;
the future of cinema will be explored in the Exploding Cinema section.
This year once again marks the Rotterdam Film Course, which strives
to encourage film and media education in universities. This year's
theme is Taboo, and films shown in this category will include: Un
chien andalou (1929) by Salvador Dali & Luis Buñuel of France;
Nuit et brouillard (1955) by Alain Resnais also of France;
and Window Water Baby Moving (1959) by Stan Brakhage of the
United States.
Three
awards include 10,000 Euro in cash each, as well as a guaranteed
offer for both theatrical distribution and TV airing of the winning
films in The Netherlands. Rotterdam also sponsors, along with Canal+,
the Audience Award for the public's favourite; and hosts the FIPRESCI
Prize awarded by an international jury of film critics; the KNF
Prize is awarded by a jury of members of the Dutch Film Critics
Circle; NETPAC Award for the Best Asian feature film shown at the
festival. In addition, as part of the Hubert Bals Fund, which was
founded in 1988, a selection of films from the International Film
Festival Rotterdam, will be shown in 16 theaters in the Netherlands
from October to January. Most of these films have received awards
at foreign festivals.
The
festival also attracts a large number of international acquisition
executives and its Cinemart is considered to be one of the top films
markets in Europe. Projects are kept to a manageable number of 40.
Last year's Cinemart included works by Béla Tarr, Zhang Yang, Juanjo
Giménez Peña, Marion Hänsel, Fridrik Thór Fridriksson, and Hal Hartley.
With more
than 320,000 admissions expected to descend upon the Schouwburgplein,
the heart of the festival, this year's festival should be an interesting,
eclectic, and cinema savvy event.
The
program will be out early 2001, while The
Goddess of 1967, Crouching
Tiger, Hidden Dragon and Platform
are already confirmed.
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