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Cannes
comments
from around the world
When
in Cannes
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Day
Seven: Tuesday 16 May
It's
About the Movies…
Anthony
Minghella (The English Patient) will produce forthcoming
Heaven starring Cate Blanchett (The Talented
Mr. Ripley) and directed by Tom Tykwer (Run Lola Run)
for Miramax.
First-time Writer/Director Vincent Giarrusso, who has spent most
of his professional life as a musician (underground LOVE, Australia),
enjoyed the culmination of his seven year labor-of-love film project
today when Mallboy
screened at the Directors Fortnight. Writing the tough story of
a disenfranchised young boy straight from his own experiences as
a youth welfare worker, Giarrusso feels influenced by Ken Loach
and what he calls 'respectful filmmaking'.
Sony's demonstration yesterday of their new 24 fps digital camera
was filled past capacity as everyone jammed the room to see the
new wave of filming equipment. The demo will run again tomorrow,
no doubt to an ever bigger audience.
Kodak awarded a dozen Emerging Filmmakers from a variety of film
schools with filmmaking awards at an awards ceremony today hosted
by Indie favorites, Ismail Merchant and Whit Stillman.
It's About the Money…
Miramax is buying the majority of films here at Cannes, but Lions
Gate Films finally jumped in the ring when they closed a deal for
North American rights to Ken Loach's Bread
and Roses.
A comedy pitched by the Blair Witch Project creators
Daniel Myrick and Eduardo Sanchez to 75 distributors has landed
deals in several European territories.
Dream Entertainment's 100 Girls from Director Michael
Davis (Eight Days A Week) may be on its way to 100
territories. The story of a young college student who meets the
woman of his dreams in an elevator stuck between floors, and must
then find her again on a campus of beautiful women, has received
commitments for theatrical release in 17 countries.
The Variety pavilion was host today to the Cannes Conference Series
with a panel entitled What Do Buyers Want: Art or Commerce? Panellists
Michael Barker (Sony Pictures Classic), Rainer Kolmel (Kinowelt),
Rick Sands (Miramax) and Kayo Yoshida (Asmik Ace) went toe to toe
under the moderating of Sydney Levin (FilmFinders). At issue were
the very definitions of art film versus commercial film with Barker
and Sands in a particularly lively disagreement about the term "arthouse"
being an attribute rather than a qualification.
It's About Me…
Irish tap dancer Michael Flatley, set to become a screen star in
upcoming The Lord of the Dance, was in Cannes last
night to promote his new film.
"I may not become a great actor but I've definitely got the makings
of a movie star," said the actor whose feet are insured for $40
million. US director Tony Palmer who has worked with musical greats
as diverse as Maria Callas and Leonard Bernstein has signed to direct
the film which is scripted by My Left Foot writer
Shane Connaughton.
The Girlfight
team spent the day on the beach, quite literally, as they suffered
through hours of interviews beachside at the American Pavilion.
Slamdance alums wandered in and out of frame, as did filmmaker Libby
Spears in town to shoot a short for Atom Films with cinematographer
Mark van S.
Marcus Hu (Strand) got locked out of a screening today when a truly
zealous usher announced the theatre was full. Normally, people can
slip in and sit on the sides at overflow screenings, but this particular
usher takes his job very seriously-so much so, he usually will disturb
screenings with loudly whispered seat directions or even snapping
fingers to direct the late-to-be seated.
It's My Party…
It's hard to top setting a (stunt) woman on fire for beach side
entertainment, but tonight's In Sync party just might do it. The
boys are in Cannes to promote the pseudo release of their fake movie
for which they shot a bogus opening night party for last month in
LA. Sometimes, it's just hard to keep up...
Cutting Edge Pictures, who have lost points recently among their
Indie filmmakers for rumoured stinginess, threw the bash of the
night last night for Cutaway, starring Dennis Rodman. In fact, the
company spared nothing for the festivities and got themselves a
four martini rating (the highest possible) from Hollywood Reporter
this morning.
The group of seven Italian Commissions threw an evening cocktail
party that had the best view (easy Red Carpet sightings) as well
as the best food (Asiago cheese, olives, prosciutto) and wine from
nearly every region of the country.
Kathleen
McInnis & Kerry Shaw
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