failure
of Kurosawa's Dodes'kaden dashed
those hopes, and the script has lain unfilmed
until now.
Koji
Yakusho (The Eel) tells the story
of Mochizuki Koheita, nicknamed 'Dora-Heita',
a magistrate sent by his clan to clean up a small
regional fief which contains the Horisoto enclave,
a centre for prostitution, gambling and smuggling.
Realising
that the corruption reaches to the top echelon
of local government, he decides on unorthodox
tactics. Posing as a dissolute, he infiltrates
Horisoto and confronts the enclave's crime-lords
on their own terms. Unapologetically old-fashioned
in structure and style, the film blends samurai
action with drama and plentiful humour to superbly
entertaining effect.
Tony
Rayns